马克·金维尔（Mark Kingwell），多伦多大学哲学教授，加拿大非常活跃的社会评论家、资深意见领袖，《哈珀斯》杂志编辑，《环球邮报》《女王季刊》撰稿人。他是一位多产作家，出版作品19部，发表论文数十篇，曾在1997年获得著名的“斯皮茨奖”，2002年“全国杂志奖—论文写作奖”，2004年“专栏奖”。2018年获封加拿大皇家学会院士、英国皇家艺术学会院士。研究领域：社会与政治哲学、建筑与设计哲学、艺术哲学、20世纪欧洲大陆哲学。

From one of the great comic innovators, the long-awaited fulfillment of a pioneering comic vision. Richard McGuire’s Here is the story of a corner of a room and of the events that have occurred in that space over the course of hundreds of thousands of years. (With full-color illustrations throughout.)

Here is Richard McGuire's unique graphic novel based on the legendary 1989 comic strip of the same name. Richard McGuire's groundbreaking comic strip Here was published under Art Spiegelman's editorship at Raw in 1989. Built in six pages of interlocking panels, dated by year, it collapsed time and space to tell the story of the corner of a room - and its inhabitants - between t...(展开全部)

An exciting collection of poems by Wislawa Szymborska. When Here was published in Poland, reviewers marveled, “How is it that she keeps getting better?” These twenty-seven poems, as rendered by prize-winning translators Clare Cavanagh and Stanislaw Baranczak, are among her greatest ever. Whether writing about her teenage self, microscopic creatures, or the upsides to living on ...(展开全部)

Here is Richard McGuire's unique graphic novel based on the legendary 1989 comic strip of the same name. Richard McGuire's groundbreaking comic strip Here was published under Art Spiegelman's editorship at Raw in 1989. Built in six pages of interlocking panels, dated by year, it collapsed time and space to tell the story of the corner of a room - and its inhabitants - between t...(展开全部)

“You should be here; he’s simply magnificent.” These are the final words a biologist hears before his wife dies at the hands of Godzilla. The words haunt him as he studies the Kaiju (Japan’s giant monsters) on an island reserve, attempting to understand the beauty his wife saw. “The Return to Monsterland” opens Where We Go When All We Were Is Gone, a collection of twelve fabuli...(展开全部)

Fiction. Asian & Asian American Studies. "A combination of the mystical, magical, and marvelous, Sequoia Nagamatsu weaves a collection of bold, hysterical, and moving tales into an unforgettable debut. From shape- shifters, to star-makers, to babies made of snow, the characters in WHERE WE GO WHEN ALL WE WERE IS GONE form a community of longing, of the surreal, of wonder. What ...(展开全部)

你在小岔路等了一夜， 我一直在樓上的窗口中看你。 第二天去機場把你送走，我就撿回來了， 你給我的禮物，加上一百三十七張畫稿、 十九張精確掃描圖，我保存了十年。

Why do people dodge responsibility when things fall apart? Why the parade of public figures unable to own up when they screw up? Why the endless marital quarrels over who is right? Why can we see hypocrisy in others but not in ourselves? Are we all liars? Or do we really believe the stories we tell? Renowned social psychologists Carol Tavris and Elliot Aronson take a compelli...(展开全部)

E. 洛克哈特（E. Lockhart），哥伦比亚大学文学博士，现于哈姆莱大学教授创意写作。E. 洛克哈特是她的笔名，洛克哈特是母亲家的姓氏。洛克哈特在坎布里奇和西雅图长大。高中时她在西北大学参加暑假戏剧表演学校， 并为明尼波利斯的儿童戏剧公司工作。之后她在瓦萨学院学习绘本创作，毕业于哥伦比亚大学。目前她住在纽约地区。 洛克哈特创作了一系列畅销小说，包括《我们都是撒谎者》、《吉玛拉玛》、《窥探者》、鲁比•奥利弗四部曲等。她还以艾米丽•詹金斯的本名创作了《看不见的暗示》系列以及许多获奖绘本。她的小说《弗兰基•兰道•班克斯声名狼藉的历史》曾获得Michael L. Printz奖荣誉图书大奖、Cybils最佳青春小说奖，并且入围美国国家图书奖决选。